Books
Colour Mania: Photographing the World in Autochrome, Thames & Hudson/V&A (2022)
Chapters and Contributions
‘Familiar, Stranger’, in Melanie Cobham, Bodybuilding, Formist Editions, 2025
‘I photomaton, Thou photomatonest’: A photobooth history, in and out of Australia’,Auto-Photo: A Life in Portraits, Perimeter, 2024.
Staging Isolation: Images of Seclusion and Separation’, Watching, Waiting: The Photographic Representation of Empty Spaces, eds. Sandra Križić Roban and Ana Šverko, Leuven University Press, 2023.
‘Olive Edis’, in Phillip Prodger, An Alternative History of Photography, Prestel, 2022.
Journal Articles
‘”Auto-Photo: A Life in Portraits”: Photobooths and Alan Adler’, Rundbrief Fotografie 33, no.1 (2026), pp.45-53.
‘« L’apanage de tout photographe » : évaluer l’accessibilité de l’autochrome’, Photographica, no. 8 (2024), pp. 20- 35. [“The Common Property of Every Photographer”: Assessing the Accessibility of the Autochrome]
‘Soft, feminine and forgotten: Kate Smith’s autochromes’, The Burlington Magazine 165, no. 1442 (May 2023), pp. 530-533.
‘”Startling”, “Extraordinarily beautiful”, and “Obtrusive”: Reactions and Responses to the Stereo-Autochrome’, Journal of Stereo and Immersive Media 6, no. 1 (2023), pp. 90-103.
‘Urban Inspiration’ RPS Journal (March/April 2022), p.221.
‘The Wallflower’, RPS Journal (November/December 2021), p.669.
‘“Colour Palaces”: The Autochrome Collection at the Victoria and Albert Museum’, Rundbrief Fotografie 28, no. 3 (2021), pp. 21-8.
‘Freeze Frame’, RPS Journal (July/August 2021), p.445.
‘“Kodak Girls” and royal women: Snapshot photography and its embrace by royal women’, The PhotoHistorian, no. 183 (Spring 2019), pp.24-9.
Catlin Langford 